The soprano Angel Blue, the star of the new production of Verdi’s ancient-Egypt spectacle, goes to the Temple of Dendur, ...

At the Royal Ballet and Opera, the issue is doubled. Gone are the pyramids and Tutankamun call-backs and in comes sets (by ...

Performances in N.Y.C. Advertisement Supported by Once used to frequent rejection letters, Blue has become a regular on major stages and is singing the title role in “Aida” at the Metropolitan ...

“Felt is a perfect medium for her to express her joy of life: it is malleable, it has no limitations in shape, size, color or texture. She is a very productive artist, and her art is super playful and ...

"Because Aida is so big and so expensive... I did definitely feel the pressure of that," director Michael Mayer told AFP in a recent interview of his production that premiered this month ...

"Aida" has long epitomized opera at its most extravagant -- think sweeping sets, luxurious costumes and even real-live horses, an experience intended to transfix the audience with grandeur. A beloved ...

Aida has long epitomised opera at its most extravagant - think sweeping sets, luxurious costumes and even real-live horses, an experience intended to transfix the audience with grandeur.

A beloved version of that scale helmed the Met for more than three decades -- so staging a new production of "Aida," a tale of love, war and loyalty set in ancient Egypt, was a tall order.

Don’t miss your chance to see “Aida,” Verdi’s epic tale of love, power and jealousy at Orcas Center on Tuesday, Feb. 4, at noon. Filmed live in high definition, these on-screen events from the ...

Saquon Barkley cannot be stopped. As if watching Sunday’s NFC Championship game be played between the rival Eagles and Commanders wasn’t bad enough for Giants fans, they got yet another ...

“Superbloom,” by Nicholas Carr, and “The Sirens’ Call,” by the MSNBC host Chris Hayes, argue that we are ill equipped to handle the infinite scroll of the information age. By Jennifer ...